EKO electric guitars – we want to list … The Eko model was a low cost, thin hollow-bodied guitar with f holes. Over the years it came in various configurations including acoustic, single pickup and two Eko guitars – Wikipedia Eko is an Italian manufacturer of electric guitars, acoustic guitars and similar instruments, catering to professional level and manufacturing largely for export. Companies that had been manufacturing Accordions for 20 years, retooled for electric guitars. EKO was at the forefront, EKO acoustic model e85 – …: Anyone knows about this, please mail me, thanks so much, god Any way of dating an Eko 12 string acoustic? No sign of a serial number anywhere as far as I can see,
Used Bass Guitars
The Instruments of Matsumoku, St. The guitar legacy of Matsumoku Industrial Co. Louis Music during a period of 10 years from to
The original content on this site is based on research and compilation courtesy of David Blair.. Continuing contributions are courtesy of the members of the Westone Guitar Forum.. Web site design & .
Tweet on Twitter Ca. And you have to admit that, for the price, what we get is pretty darned good. In fact, these days, where a product is made is almost irrelevant to the consumer. Now, youngsters, take note. How did we arrive at our current state of affairs, and who is responsible? Jack Westheimer — one of the pioneers of global guitarmaking. Among the brands associated with his activities are Kingston, Teisco, Teisco Del Rey, Silvertone, Emperador, Cortez, and Cort, not to mention a host of other monikers that have graced guitars coming from the Cort factory.
In fact, Westheimer was one of the earliest and most influential importers to cultivate Japanese manufacturing in the years surrounding
Westone Laboratories W80 universal-fit earphone
What I find most interesting of all, is the extremity of opposing views on the early Korean Squier Stratocasters, first produced in Some say they were excellent; some say they were absolute rubbish. Very few guitars have polarised opinion in quite such a fashion on the basis of their quality. Lake Placid Blue was one of just four colours in which the original Korean Squier Strats were available.
As an Amplifier winner, Wes-Tone won the opportunity to work with one of today’s most talented producers in one of the world’s most renowned professional recording studios.
In a way, it was a lot like the age of the dinosaurs; in the relatively short period between and , the guitars became vastly more specialized, complex, and expensive. Then the meteor hit. The first-generation FX was basically an Electra X ; a sleek, set-neck super-Strat with eighteen different pickup combinations, a deep-bend-optimized tremolo, and the highest grade of workmanship Matsumoku could bring to the table. The comet that killed this tone tyrannosaur was financial.
As the yen climbed sharply in and , from per dollar to , the price of the Spectrum FX climbed as well. In , Westone production for St. Louis Music was moved to Korea. The Matsumoku plant acquired the Westone name for European sales and continued to supply them until or so before shutting down. The giants no longer walked the earth. The Corona plant opened in and all of a sudden you could buy an American-made Stratocaster for the same price as a bolt-neck Westone Spectrum LX.
Collectable Guitars pt 28 – Daion Guitars
Pros – Fit, Sound, Universal Cable option, Ease of process Cons – not able to test I’ve been part of the hi-fi headphone community now for about 8 years and have been a big proponent of over-ear headphones. I could never find an in-ear that was comfortable and stayed put for long periods of time. I got to try a lot of in-ears working at Peach Buds, a local headphone shop, but could never put in the time I really wanted with them. So I finally decided this year that a pair of custom IEMs may be the solution.
The closest I’d ever come to finding an in-ear that worked for me was the Westone 2. My final use for these was going to be using my phone mainly as a source, an iPhone 7 plus, and Spotify premium streaming and downloaded at kbps.
Aria Guitars attended Musical Instruments Fair Japan (Oct, , at Tokyo Big Sight). We introduced our new custom shop brand “APII” electric guitars / basses with great sensation.
Before that Unicord was a manufacturer of electronic transformers. Around this time Unicord merged with Merson, a guitar improter that made lines like “Tempo”, “Giannini” and “Hagstrom”. In company this company was still making amps, though they were hybrid amps with tubes and transistors. Also around , the famous Hi-Flyer line was started, which continued for several years. In , Univox introduced its “Badazz”, a copy of a Guild S Some of these copies were actually made by Aria, which seems to have made a lot of copy guitars for other companies.
Around was when Univox changed the logo on their guitars from plastic ones to the decal under the finish. Around , Univox and Merson split, but Unicord kept marketing Univox equipment for a few years after that, until about These included the old guitars and new ones, like a copy of a Rickenbacker bass and a Fender Strat. Plus, new solid state and tube amps were offered. Apparently employees were only given a single days noticed. After that only a small crew remained to test imported amps and ship them to retailers.
Electra guitar played by Eddie Kirkland Electra was a brand of electric guitars and basses manufactured in Japan and distributed in the US by two companies owned by brothers: In , the brand launched a successful comeback led by renowned luthiers Ben Chafin and Mick Donner. Unlike most other brands of imported guitars which were sourced from a single manufacturer, Electra guitars were ordered from all the Japanese factories and distributors.
Several Westone forum members have recently presented guitars with 6 digit numbers. Although not as common they do exist. Looking at dating information compiled by our friends at the Matsumoku Forum we note that 6 digits was in use until mid to late 1.
This is one of the most frustrating questions from the MIJ collector. People often make the mistake of citing the American or European importer as the ‘maker’ of the guitar, when in fact several Japanese manufacturers were producing badged guitars out of their plants and shipping them to America and Europe to sell. Japanese manufacturers made multiple badges at the same plant, many of whom resemble each other closely. Some manufacturers merged or changed hands over the years which added to the confusion, sometime merging with another maker, only to pick up their name later.
In some cases a manufacturer would farm out production to various manufacturers, making it still more difficult to know who made the guitar in your hands. Parts from other guitars would be used in the making of a particular badge for a period of time because it was all the manufacturer had to hand And sometimes, the guitar which is supposed to be an MIJ guitar is actually made elsewhere Korea, Indonesia because production was moved during this period in history. This page is a work in progress and as new information is revealed it will be added to the list.
But I can’t do this alone, folks. See a guitar not listed? In some cases I won’t know because the badge you have may be extremely rare and virtually unknown to even seasoned collectors. And just a quick note:
Westone Spectrum electric guitar made in Japan S/H
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Apr 16, · Westone Dynasty in Chicago for $ – let the hair wars begin! Look all jokes aside this is a pretty cool looking guitar – and check out the original custom fit case – you gotta love it. All I .
Fernandes Burny Here’s a quick way to tell if you have a Matsumoku factory guitar whether branded or not. That’s a dead giveaway that you’ve got one of “Uncle Matt’s” guitars. As I said above, Fujigen and the other manufacturers produced guitars with no logos at all for sale around the world. That in itself shouldn’t cause much confusion, because we know from Hoshino that “if it doesn’t say Ibanez” it’s not an Ibanez. However, Fujigen Gakki, the manufacturer of Ibanez-branded guitars would provide stock, no-name images to Hoshino and other distributors for use in their catalogs.
Fujigen only had to take one picture of a guitar instead of one with each different brand on it. I can’t confirm this, but Fujigen may have gone as far as to produce the majority of the catalog, and Hoshino would put its “Ibanez” brand on the front and back covers. Some people have found online copies of these older catalogs a good source for these can be found at Vintage Ibanez Guitar Catalogs – through and point to the pictures without logos as evidence that “Ibanez” made unbranded guitars.
As we can see now, that’s just not true. Some unbranded guitar pictures from a Ibanez catalog: The answer to this depends on what your definition of “lawsuit” as it relates to MIJ guitars is. Loosely defined and coming into more popular use on sites such as eBay and Craigslist a “lawsuit” guitar is ANY old guitar made outside of the USA that is a copy of a popular US-made guitar. But the fact of the matter is that there was just ONE lawsuit ever brought by an American guitar builder against a foreign distributor or builder during the s.
Hoshino Hoshino Gakki and more accurately, its U.
Japanese Manufacturers of Made in Japan Badged Electric Guitars From 1960 to 1980
Monday, 9 June My basses: Not all my basses are Wals or even British but they all have a story to tell. Featured here on this post are my Frankenjazz project bass which was based on a Signature Jazz Bass I bought off eBay, my Tony Revell hand build acoustic bass and my first ever bass, an Aria SB from Signature Jazz Bass copy: When my Pro bass was starting to look a little fragile I began looking for a second bass to use for gigging. I’d always fancied owning a Jazz bass I did have a Squier Jazz for a few years as my spare bass before I bought my first Wal.
Finished in our legendary livery dating back to , the Crush range features our basket weave vinyl, woven speaker grille cloth, signature ‘picture frame’ edging and iconic hieroglyphs on the control panel.
Sure you can, because Matsumoku or Univox were ever involved in any lawsuit. The only problem with my Ibanez is that the bridge inserts, and the bridge itself, corroded over the years from sweat. Time to get one of those Pelican rifle cases and cut out the foam to accommodate the instrument. Deen Hello SoundFly readers, Thanks to you guys for caring enough about true information to post your thoughts. Sadly, the internet cannot always be trusted, but I am happy to share sources for some of the facts claimed here, and will gladly adjust if those facts are proven wrong.
This was not meant to be an exhaustive historical account, but more to help clarify for newer guitar buyers, to arm an individual with information for their own resources, and to prevent anyone from getting scammed. The lawsuit era guitars are a can of worms, which I am just as happy to leave closed. Lawsuit guitars are not always what they seem. Lets use Takamine for example, as I have owned 1 or 2 in my life. They were so blatant that they copied even the script on the head stock.
Now while it may be true that many of the Taka-Martins were at least equal to the originals, most were much better. Now we can get the Martin guys going. These guitars were so good, they fooled many a boasting Martin aficionado.